- #Blind contour drawing exercises for free
- #Blind contour drawing exercises movie
- #Blind contour drawing exercises series
The line connects forms, bridging spaces between objects. Rather than using multiple lines, you use a single line, however, as in gesture, you draw through the forms as if they were transparent. The completed drawing gives the effect that it could be unwound or unravelled. Once you make contact with the paper (you may begin anywhere: top, bottom, side), you are keeping the line flowing. The drawing implement stays in uninterrupted contact with the surface of the paper during the entire length of the drawing. The line in a continuous line drawing is unbroken from the beginning to the end. A drawing is simply a dot going for a walk –Ĭontour (n.) 1660s, a term in painting and sculpture, from French contour “circumference, outline,” from Italian and Medieval Latin contornear “to go around”
#Blind contour drawing exercises series
The series consists of 15 lessons presented by artist Lillian Gray.
#Blind contour drawing exercises for free
It's all about seeing.Watch the lesson for free on our YouTube channel Free Drawing Course by artist Lillian Gray This is a video and blog series teaching the fundamentals of drawing in an easy to understand way. Your hand and eye will trust each other over time, which is really the key to drawing from life.
#Blind contour drawing exercises movie
Check out the exercise files for this movie and give it a try. I see that I was actually able to give some sense of face, the hands are pretty awesome, down to the feet, the toes, it looks like a figure, even though it's rather abstract. I'm going to go back to the back foot and the heel, up the leg, down the opposite side, and then I'm going to look down. I can feel myself really starting to have a connection between my hand and my eye. I can actually feel myself relaxing as I do this. Up again, down again, all the way to the ground.
Coming around the hip, back to the navel again, coming down the thigh, stopping at the knee to explore that a little bit. With each new model, these warmups will help you familiarize yourself with their particular form. I can feel myself really looking, really learning about what she looks like.
I'm coming out to her hand, out to her finger, back in again, then I'm coming over to her torso, hoping I can find that again, coming across to the other breast, up around her wrist and her fingers, down to her elbow, and I can feel myself slowing down. You're working only looking at the model. It's not just an outline, it's actually traveling back and forth across the form you're never lifting your pencil, because you really wouldn't know where to put it back down. I'm coming around her breast, I'm going to come up over her shoulder again, moving very slowly, really allowing my eye to travel across her form. That pushing and pulling of the pencil can really make the drawing more beautiful, that's something that you feel more than thinking about it. There might be areas where you feel like you want to have a slightly lighter approach. Also, as you're working with her and I'm now on her face, there might be some areas where you have this feeling like you want to press the pencil a little bit harder. If you think you're drawing slowly enough, slow it down a little bit more. They are connecting and they're strengthening their connection by doing this exercise. My eye is not speeding up and my hand is not speeding up. I'm going to place my pencil on the paper, I'm going to observe the model, and I'm going to slowly start moving my pencil around and through her form. I'm going to do one now with our model here. You're going to find it hard not to look down, but resist the temptation. The blind part is that you aren't allowed to look at your paper while you're drawing. Imagine that your pencil line was a grey string that you could lift up in one piece. A contour drawing is done with one long unbroken continuous line. One of my favorite warm ups that always helps me slow down and see is blind contour drawing. Before you start working with a figure you should always warm up, and there are fun ways to do this. Strengthening your ability to see will build confidence.
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